High Dynamic LED manufactures premium LED ribbon and pixel control systems engineered specifically for film, television, and commercial productions where color accuracy and reliability are non-negotiable.
Every product in our lineup is designed, tested, and manufactured to meet the exacting standards of film and television production.
Ultra-high CRI LED tape with continuous COB output, available in multiple color temperatures and densities. No hotspots, no compromises.
Individual pixel-addressable LED strips with WS2811 and DMX512 protocols. Create dynamic lighting effects with frame-accurate precision.
Professional-grade DMX controllers and flicker-free dimmers designed for high-speed camera work. Smooth dimming curves from 0-100%.
When the camera is rolling and the budget is on the line, your lighting can't fail. Here's why top gaffers and lighting designers trust High Dynamic LED.
CRI 98+ and TLCI 99+ across our entire product line. Skin tones render naturally. Fabrics and paint colors match under our lights. No green/magenta shifts, no surprises in post.
Tested and verified flicker-free at all frame rates up to 10,000 fps. Our proprietary PWM drivers eliminate the rolling band artifacts that ruin takes with lesser LED systems.
IP65-rated options available. Flexible PCB construction withstands repeated bending and installation abuse. Every reel is tested before it leaves our facility.
Native DMX512 and RDM support. Works with your existing console, wireless DMX systems, and pixel mapping software. No proprietary protocols locking you in.
We don't just claim quality — we measure it, certify it, and guarantee it.
From major motion pictures to commercial sets, our lights perform where it matters most.
High CRI for accurate color reproduction at any frame rate
Reliable long-run performance for series production
Fast setup and teardown with consistent color output
Permanent installations with DMX control integration
Don't take our word for it. Here's what lighting professionals working in the field have to say.
We've switched all our ribbon lighting to High Dynamic for the past two features. The color consistency between reels is unmatched — I can cut from a wide to a close-up and the practicals match perfectly. No more fighting green spikes in post.
The pixel control strips saved us on a recent commercial where the client wanted a color-changing practical background. Setup took 20 minutes, DMX integration was seamless, and the gaffer didn't have a single flicker issue at 120fps.
As a DP, I need lights I don't have to think about. High Dynamic LED ribbon goes up fast, stays where I put it, and the color temperature is dead-on. I've recommended them to three other productions this year alone.
Whether you need a single reel for a test or a complete lighting package for a feature, our team is ready to spec the right solution for your production.